Sporting a new and inspired partially-stacked sensor design, the Nikon Z6 III Mirrorless Camera unlocks a number of flagship-level upgrades for this mid-range camera, including faster and more precise autofocus, professional-level 6K internal raw video, pre-capture at up to 120 fps, and a smooth, bright, colorful EVF. Taken together, these upgrades make this mirrorless monster an ideal choice for aspiring professionals in search of an all-around, affordable camera.
24.5MP Partially-Stacked CMOS Sensor
The Z6 III is Nikon’s first camera to to feature a partially stacked sensor design for faster scans and readouts than its predecessor. The design also reduces rolling shutter and noise levels when working at the top end of the ISO range.
Complementing the sensor is the EXPEED 7 processing engine, found in the top-of-the-line Z8 and Z9 mirrorless cameras an which offers speeds approximately 10x faster than the Z6II. This engine works in conjunction with the partially-stacked sensor design to realize impressively fast AF speeds, burst shooting rates, a high buffer capacity, fluid video performance, and quick all-around handling.
Produce ultra-high resolution images at up to approximately 96 megapixels using pixel shift technology. By slightly shifting the image sensor between shots – selectable between 4 and 32 shots per image, with more shots meaning more detail – users can merge the images in NX Studio after shooting to create a single image with enhanced resolution, texture, and color.
Equally capable for video, the Z6 III matches the Z9’s recording capabilities here, as well, with a variety of resolutions and frame rates available up to 6K.
Using full pixel readout, 6K60p video can be recorded with continuous shooting, while 4K and Full HD recording is also possible in a variety of frame rates, including full-frame 4K recording at up to 120p and Full HD recording at 240p for slow-motion playback.
Internal 12-bit raw raw recording at up to 6K 60p in the N-RAW format is supported along with internal ProRES RAW HQ. Raw recording offers greater tonal and color latitude and can improve dynamic range, benefitting color grading needs and post-production flexibility.
Internal recording is also supported with 10-bit color and 4:2:2 sampling in the ProRes 422 HQ and H.265 codecs at 5.4K 30p and 5.4K 60p, respectively.
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